MY STORY
Alex Meeth (b. 1999) is a multidisciplinary artist from Dousman, Wisconsin, and a 2022 graduate of the Boston Conservatory at Berklee, where he received the Arthur B. Whitney Award for Highest Academic Rank. He began taking dance classes at the age of 13— studying Vaganova ballet technique under the direction of Eddy Bray— and later graduated from the Kettle Moraine School for Arts and Performance with an emphasis in theater.
This early, multifaceted arts training ultimately led him to pursue a deeper and more diverse understanding of dance at the Boston Conservatory, where he rigorously studied ballet, various modern techniques (such as Horton, Limón, Countertechnique, Release), jazz, swing, composition, and contact improvisation. Over the course of his studies, Alex choreographed for multiple dance concerts and performed works by many influential artists, including Mark Morris, Catherine Coury, José Limón, Daniel Pelzig, Bradley Shelver, and Juel D. Lane.
In past summers, Alex attended Hubbard Street Dance Chicago’s pre-professional summer intensive; performed at the Emerson Cutler Majestic Theatre in Agostino Steffani’s Orlando generoso with the Boston Early Music Festival; and workshopped with choreographer Holly Stone on an original contemporary story ballet, titled The Queen of Nori.
Most recently, Alex understudied with the Mark Morris Dance Group for their much-praised restaging of L'Allegro, il Penseroso ed il Moderato at BAM, and he can be seen in the Lyric Opera of Chicago's upcoming production of Fiddler on the Roof.